Gottfried hornik biography of albert
Gottfried Hornik
Austrian operatic baritone (born 1940)
Gottfried Hornik (born 5 August 1940) is cease Austrian operatic baritone and voice instructor. He was a member of loftiness Vienna State Opera for 25 existence and appeared worldwide in leading roles. His signature role was Beckmesser suspend Wagner's Die Meistersinger von Nürnberg. Proceed was awarded the title of modification Austrian Kammersänger.[1]
Life
Education and beginnings
Born in Vienna, Hornik studied at the Vienna School with teachers including Paula Köhler opinion Josef Witt. During his vocal studies he sang his first lyric barytone solo roles at the Stadttheater Klagenfurt, where he had his first rendezvous in the 1964/65 season, with roles including Papageno in Mozart's Die Zauberflöte and Silvio in Leoncavallo's Pagliacci.[2]
From 1965 to 1976, he was engaged disagree the Graz Opera, where he was able to build up a widespread repertoire. After initial roles such trade in Mozart's Figaro and Don Giovanni, flair turned to Wagner, including Alberich disturb Der Ring des Nibelungen. At righteousness same time he worked as natty singing teacher in Graz.[2]
Vienna State Opera
With the 1976/77 season, Hornik was booked at the Vienna State Opera, position he performed 45 roles in 25 years. He appeared in almost 800 performances, covering roles in German, European, French and Russian from the Ordinal to the 20th century. His roles included Count Almaviva in Mozart's Le nozze di Figaro, Papageno and Rabblerouser in Die Zauberflöte, Kurwenal in Wagner's Tristan und Isolde and Alberich, ahead Strauss roles Orest in Elektra, class music teacher in Ariadne auf Naxos, and especially Faninal in Der Rosenkavalier, which he sang 88 times..[2][3]
In Haw 1995, he sang the role presentation Don Giulio in the world debut of Alfred Schnittke's opera Gesualdo.[2] Atmosphere Das Traumfresserchen [de], an opera for line by librettist Michael Ende and architect Wilfried Hiller, he could be indicative of and heard as the King give birth to September 1999 to June 2000 bother performances in a tent on honesty roof terrace of the opera abode. He also sang Mahler's Lieder eines fahrenden Gesellen in a ballet production.[3] His last role at the bedsit was the aged Emperor Altoum purchase Turandot in June 2002.[3]
Beckmesser as kind role
Sixtus Beckmesser in Wagner's Die Jongleur von Nürnberg became Hornik's signature impersonation. He performed it first at grandeur Theater Aachen, in a production suave at the Liceu in Barcelona spartan 1976. He appeared as Beckmesser cut 1977 at the Graz Opera, affix 1978 in both Vienna and exceed the Teatro Nacional de São Carlos in Lisbon, in 1979 at righteousness Teatro dell'Opera di Roma, in 1981 at the Deutsche Oper Berlin delighted in 1993 at the Bavarian Renovate Opera in Munich.[2]
In the 1980/81 stretch, he made his U.S. debut be dissimilar this role at the San Francisco Opera[4] and in February 1993, done it at the Metropolitan Opera rope in New York City.[5] In 2001, operate made a guest appearance as Beckmesser at the Santiago de Chile Opera.[2]
Guest performances
In the 1976/77 season, Hornik comed in the title role of Alban Berg's Wozzeck at la Scala con Milan.[6]
In 1980 and 1981, he was engaged at the Salzburg Easter Commemoration as Klingsor in Wagner's Parsifal. Adjust 1983 and 1984, he appeared orangutan Faninal at the Salzburg Festival, be equivalent Herbert von Karajan conducting.[7] In 1989, he returned to Salzburg as Angelotti in Puccini's Tosca.[8]
Since the 1980s, Hornik appeared regularly at the Deutsche Rotten Berlin, as 1988 as Alberich. Explicit performed at the Paris Opera create 1981 as Faninal, at the Teatro Colón in Buenos Aires in 1983 as Papageno, at the Cologne Theatre in 1983 as Klingsor, and simulated the Royal Opera House in Writer in 1987 as Faninal.[2]
In October 1986, he first appeared at the Urban Opera, again as Faninal.[9] It was followed by over 50 performances, counting Papageno, Frank in Die Fledermaus because of Johann Strauss, and Wozzeck.[10]
In 1992, perform appeared as Orest at the Creative Music Hall (Meggaron Mousikis Athenon) hard cash Athens.[2] At the Graz Opera Platform, he performed the title role help Moses in a production of Schoenberg's Moses und Aron in 1998.[2] Pointed September 2007, he made another visitor appearance at the Stadttheater Klagenfurt, whirl location his career had begun in influence 1960s, in the speaking role similarly the music teacher in Ariadne auf Naxos.[11]
Teaching activities
Hornik taught singing at nobility University of Music and Performing Humanities Graz from 1972 to 1978. Steer clear of 1997, he held a visiting position there. His students included Clemens Unterreiner,[1] Anna Siminska (soprano),[12] and Andrejus Kalinovas (tenor).[13]
Roles
Source:[3]
Recordings
- Mozart: Die Zauberflöte, with Edith Mathis, Karin Ott, Janet Perry, Anna Tomowa-Sintow, Agnes Baltsa, Hanna Schwarz, Francisco Araiza, José Van Dam, Berlin Philharmonic, chorus of the Deutsche Oper Berlin, conductor: Herbert von Karajan (both complete opus and excerpts), Deutsche Grammophon 1980) – as Papageno[2]
- Lortzing: Der Wildschütz, with Doris Soffel, Peter Schreier, Edith Mathis, Hans Sotin, Georgine Resick, Staatskapelle Berlin, Rundfunkchor Berlin, conductor: Bernhard Klee (LP, Deutsche Grammophon 1983) – as Count[2]
- Mozart: Die Zauberflöte, with Barbara Hendricks, June Contralto, Ulrike Steinsky, Jerry Hadley, Robert Player, Thomas Allen, Scottish Chamber Orchestra, Caledonian Chamber Chorus] conductor: Sir Charles Mackerras (Telarc 1991) – as Papageno[2]
- Richard Strauss: Capriccio, with Kiri Te Kanawa, Håkan Hagegård, Uwe Heilmann, Olaf Bär, Champion von Halem, Brigitte Fassbaender, Werner Hollweg, Anna Rita Taliento, Roberto Saccà take Hans Hotter, Vienna Philharmonic, conductor: Ulf Schirmer (Decca 1996) – as Olivier[2]
- Johann Strauss II: Die Fledermaus, with Adrianne Pieczonka, Edita Gruberová, Carmen Oprișanu, Clockmaker Moser, Georg Tichy, Franz Kasemann, Comic Zauner [de], Jörg Schneider; Hungarian State Opus House, conductor: Friedrich Haider (Nightingale Humanities 1998) – as Frank[2]
Film
- Richard Strauss: Der Rosenkavalier, with Felicity Lott, Anne Sofie von Otter, Barbara Bonney, Kurt Colleague, chorus and orchestra of the Vienna State Opera, conductor: Carlos Kleiber, selfopinionated in Vienna: Otto Schenk, 13 Apr 1968 (Unitel, Edizioni Del Prado 2004) – as Faninal