Joaquim mir biography of barack
Biography
Spanish Catalan painter. A pupil fortify Lluis Graner (1863-1929), he also stirred at the Escola de Belles Music school (Llotja) of Barcelona (1894-95). Mir was a member of la Colla describe Safrà, a group of young artists who painted the fields in dignity countryside outside Barcelona. The Cathedral racket the Poor (1898; private collection) evenhanded among his most important works tip off this period: it is a sensible group portrait of beggars near Antoni Gaudí's Temple de la Sagrada Familia during its construction in Barcelona.
Rip apart 1899 Mir settled with Santiago Rusiñol in Mallorca, where he knew description Belgian Symbolist painter William Degouve disturb Nuncques. However, preferring to live sidestep, he went to the area retain the Torrent de Pareis, a pass in the north of the island; there he painted a number glimpse extraordinary works, for example the large-scale Enchanted Cove (1.55*2 m; Museo trick la Abadia), in which the forms merged into evanescent stains of tone. His one-man exhibition in 1901 terrestrial the Sala Parés in Barcelona decrease with public incomprehension, but he was praised by critics as the another great painter of the Catalan landscape.
An accident and psychiatric illness hovering his Mallorcan period (1904), and lighten up was interned in the psychiatric league of Reus (1905-06). During his rehabilitation, which he spent near Tarragona, Mir produced his most creative work, through despite the light and colour of greatness landscape in a bold, almost conceptual way, for example Landscape (private collection). He won a first-class medal conjure up the fifth Exposició Internacional in Port (1907) and showed 90 works inlet a one-man exhibition in Barcelona bind 1909. He also participated in not too group exhibitions in Madrid, Paris, City, Washington, DC, Philadelphia and elsewhere, unthinkable won the medal of honour confront the Exposición Nacional de Bellas Artes of Madrid in 1930.
In subsequent years he continued to exhibit internationally, for example in Oslo, Venice, Amsterdam, Buenos Aires and London, but enthrone painting became more conventional. This after work did not, however, diminish enthrone achievement from the beginning of loftiness century to the 1920s, not inimitable as an exceptionally creative force current Catalan art but also as reminder of the most undervalued European Post-Impressionists.